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Nancy Sinatra - These Boots Are Made for Walkin'

 

 

"These Boots Are Made for Walkin'" is a pop song musically composed by Lee Hazlewood and first written and recorded by Nancy Sinatra. It was released in February 1966 and hit #1 in the United States and United Kingdom Pop charts. Subsequently, many cover versions of the song have been released in a range of styles: metal, pop, rock, punk rock, country, dance, and industrial.

 

You keep saying you got something for me
Something you call love but confess
You've been a'messin' where you shouldn't 've been a'messin'
And now someone else is getting all your best
Well, these boots are made for walking, and that's just what they'll do
One of these days these boots are gonna walk all over you

You keep lyin' when you oughta be truthin'
You keep losing when you oughta not bet
You keep samin' when you oughta be a'changin'
What's right is right but you ain't been right yet
These boots are made for walking, and that's just what they'll do
One of these days these boots are gonna walk all over you

You keep playing where you shouldn't be playing
And you keep thinking that you'll never get burnt (HAH)
Well, I've just found me a brand new box of matches (YEAH)
And what he knows you ain't had time to learn
These boots are made for walking, and that's just what they'll do
One of these days these boots are gonna walk all over you

[sPOKEN]

Are you ready, boots?
Start walkin'

 

Megadeth These Boots (Unedited Original)

This is the 1985 Megadeth version of These Boots, on the album Killing Is My Business... And Business Is Good! — this version was produced more as a parody than as a cover. When the album started selling well, the writer of the song, Lee Hazlewood, began demanding that the song be omitted, due to it being a "perversion of the original". Dave Mustaine made the point that Hazlewood had been paid royalties for years before his complaint, but eventually omitted the song anyway. A censored version of the track can be found on the album's 'deluxe edition' released in 2002.
...(from Wikipedia)

Редактирано от Parni_Valjak
Отговорено (Редактирано)

 Mary Hopkin - Those Were the Days 1968 Video stereo widescreen

 

"Those Were the Days" is a 1968 single and a track from the 1969 album, "Postcard" and the 1972 album "Those Were the Days". "Postcard" was Hopkin's debut album for Apple Records and was produced by Paul McCartney. The album peaked at #3 on the UK Albums Chart and #28 on the Billboard 200.
"Those Were the Days" was written by Boris Fomin and Gene Raskin after a Russian folk tune. The single was very successful, topping the UK Singles Chart and peaking at #2 on the U.S. Billboard Hot 100. "Those Were the Days" was and remains Hopkin's biggest hit and one of Apple Records' biggest successes.

 

http://youtu.be/gVdOQvx379Y

 

Once upon a time there was a tavern
Where we used to raise a glass or two
Remember how we laughed away the hours
And dreamed of all the great things we would do

Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
For we were young and sure to have our way.
La la la la... 

Then the busy years went rushing by us
We lost our starry notions on the way
If by chance I'd see you in the tavern
We'd smile at one another and we'd say

Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
Those were the days, oh yes those were the days
La la la la... 

Just tonight I stood before the tavern
Nothing seemed the way it used to be
In the glass I saw a strange reflection
Was that lonely woman really me

Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
Those were the days, oh yes those were the days
La la la la... 

Through the door there came familiar laughter
I saw your face and heard you call my name
Oh my friend we're older but no wiser
For in our hearts the dreams are still the same

Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
Those were the days, oh yes those were the days
La la la la...

Редактирано от Parni_Valjak
Отговорено (Редактирано)

Suzi Quatro - Can The Can (1973)

Well you call your mamma tiger
And we all know you are lying
And your boyfriend's name is eagle
And he lives up in the sky (high high)
Watch out the tiger don't go claw the eagle's eye
But let the eagle take the tiger by surprise
Scratch out her eyes

So make a stand for your man, honey
Try to can the can
Put your man in the can, honey
Get him while you can
Can the can
Can the can
If you can
Well can the can

Well your sister's got the feline touch, she touches up your mind
And your eagle lover likes his little bit of evil loving all the time
Don't let the cat get into the eagle's nest at night
Because the eagle could say "yes" without a fight
Scratch out her eyes

So make a stand for your man, honey
Try to can the can
Put your man in the can, honey
Get him while you can
Can the can Can the can
If you can
Well can the can

Ooh can the can (Can the can honey)
Ooh can the can (Can the can honey)
Uh uh can the can (Can the can honey)
Ooh can the can (Can the can honey)
Ooh can the can (Can the can honey)
Ooh can the can (Can the can honey)
AAAAH!
Honey, honey
Honey, honey, honey
Make a stand for your man, honey
Try to can the can
Put your man in the can, honey
Get him while you can
Can the can
Can the can
If you can
Make a stand for your man, honey
Try to can the can
Put your man in the can, honey
Get him while you can
Can the can
Can the can
If you can
AAh!
Make a stand for your man

 

Suzi Quatro - Devil Gate Drive - "The Original B&W Clip"

"Devil Gate Drive"
 

[spoken] "Hey, you all want to go down to Devil Gate Drive? Well, come on"!

"Welcome to 'The Dive'!"

Well, at the age of five they can do their jive
Down in Devil Gate Drive
And at the age of six they're gonna get their kicks
Down in Devil Gate Drive
Well your mama don't know where your sister done go
She's gone down to the Drive. She's the start of the show
And let her move on up. Let her come let her go.
She can jive
Down in Devil Gate Drive

[Chorus]
So come alive. Come alive
Down in Devil Gate Drive
So come alive. Come alive
Down in Devil Gate...down in Devil Gate
Down in Devil Gate Drive
Down in Devil Gate...down in Devil Gate
Down in Devil Gate Drive

When they reach their teens, 
That's when they all get mean
Down in Devil Gate Drive
When I was sweet sixteen 
I was the jukebox queen
Down in Devil Gate Drive
I lead the angel pack on the road to sin
Knock down the gates!
Let me in. Let me in
Don't mess me 'round, cause you know where I've been
To 'The Dive' down in Devil Gate Drive

[Repeat Chorus]

Well your mama don't know where your sister done go
She goes down to the Drive. She's the start of the show
Let her move on up. Let her come let her go.
She can jive
Down in Devil Gate Drive

[Repeat Chorus]

[spoken] "Come on, boys. Let's do it one more time for Suzi!
Are you ready, now?"
Come alive. Come alive Yeah!
Редактирано от Parni_Valjak
Отговорено

Изключително вдъхновяващо!



Поради две причини - първата е уникалните музиканти, събрани на едно място! Самия Oldfield + членове на Rolling Stones и две от любимите ми прогресив групи - Soft Machine и Gong. Ще оставя без коментар количеството музикален гений, събран на едно място и ще премина към втората причина - студийният запис на албума (Tubular Bells) е осъществен почти изцяло сам от 19-годишния тогава Mike Oldfield - по-надъхващо от това, здраве му кажи...
Отговорено

Ако Пинк Флойд и Депеш Мод някога се бяха "оженили", ето тази група щеше да им е "дете":

 

 

Британският рок си остава безсмъртен. :rocker:

Отговорено (Редактирано)

CHICKEN SHACK - The Thrill is gone

From the live album "Goodbye Chicken Shack", 1974.
Stan Webb at his best.

 

Chicken Shack - Lost The Best Friend I Ever Had (Live)

The Anthology 1968-2001

 

Chicken Shack - OK Ken? (1969) - Full Album British Blues

O.K. Ken? is the second album by the blues band, Chicken Shack, released in 1969. O.K Ken? reached number 9 in the charts, higher than its predecessor 40 Blue Fingers, Freshly Packed and Ready to Serve.
This album was Christine Perfect's last album as a member of Chicken Shack.

If you like your British Blues a little on the rocky side - come and join us on facebook - the wonderful thing about the internet is that you can link up with kindred spirits.

http://youtu.be/td7LTVehKEA

Редактирано от Parni_Valjak
Отговорено

Arthur Crudup - That's All Right (original version)

recorded 1946

Arthur "Big Boy" Crudup (August 24, 1905 — March 28, 1974) was a delta blues singer and guitarist. 
He is best known outside blues circles for writing songs later covered by Elvis Presley and dozens of other artists, such as "That's All Right" (1946)[1], "My Baby Left Me" and "So Glad You're Mine."

Arthur Crudup was born in Forest, Mississippi in 1905. For a time he lived and worked throughout the South and Midwest as a migrant worker. He and his family returned to Mississippi in 1926. He sang gospel, then began his career as a blues singer around Clarksdale, Mississippi. As a member of the Harmonizing Four he visited Chicago in 1939. Crudup stayed in Chicago to work as a solo musician, but barely made a living as a street singer. Record producer Lester Melrose allegedly found him while he was living in a packing crate, introduced him to Tampa Red and signed him to a recording contract with RCA Victor's Bluebird label.

He recorded with RCA in the late 1940s and with Ace Records, Checker Records and Trumpet Records in the early 1950s and toured throughout the country, specifically black establishments in the South, with Sonny Boy Williamson II and Elmore James (around 1948). He also recorded under the names Elmer James and Percy Lee Crudup. He was popular in the South with records such as "Mean Old 'Frisco Blues", "Who's Been Foolin' You" and "That's All Right".

Crudup stopped recording in the 1950s, however, after further battles over royalties. His last Chicago session was in 1951. His 1952-54 recording sessions for Victor were held at radio station WGST in Atlanta, Georgia. He returned to recording with Fire Records and Delmark Records and touring in 1965. Sometimes labeled as "The Father of Rock and Roll", he accepted this title with some bemusement. Ungratified due to the loss of royalties, he would refer to his admirer Presley as 'Elvin Preston'.
Throughout this time Crudup worked as a laborer to augment the non-existent royalties and the small wages he received as a singer. Crudup returned to Mississippi after a dispute with Melrose over royalties, then went into bootlegging, and later moved to Virginia where he had lived and worked as a musician and laborer. In the early 1970s, two local Virginia activists, Celia Santiago and Margaret Carter, assisted him in an attempt to gain royalties he felt he was due, with little success.

From the mid 1960s, Crudup returned to bootlegging and working as an agricultural laborer, chiefly in Virginia, where he lived with his family including three sons and several of his own siblings. On the Eastern Shore of Virginia, while he lived in relative poverty as a field laborer, he occasionally sang and supplied moonshine to a number of drinking establishments, including one called the Dew Drop Inn, in Northampton County for some time prior to his death from complications of heart disease and diabetes. On a 1970 trip to the UK he recorded Roebuck Man with local musicians.
His last professional engagements were with Bonnie Raitt.

There was some confusion as to his actual date of death because of his use of several names, including those of his siblings. He died of a heart attack in the Nassawadox hospital in Northampton County, Virginia in 1974.

Crudup was honored with a marker on the Mississippi Blues Trail placed at Forest.

Отговорено (Редактирано)

Steve Vai & Ry Cooder - Crossroad Blues Duel (1986) 

Steve Vai & Ry Cooder play this duel in the movie Crossroad Blues. The dude in red is Steve Vai. The slide guitar part (Ralph Machio) is played by Rye Cooder. I believe the Mozart? part at the end is played by Steve Vai. Very Cool.

 

The actual story is about Robert Johnson of course. Here is the real story: 

Редактирано от Parni_Valjak

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