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Отговорено (Редактирано)

С поздрав към HILLBILLY :godbless:

 

Count Basie At Carnegie Hall (1981)

TrackList

01. Sweet Georgie Brown
02. In a Mellow Tone
03. There'll Never Be Another You
04. Booty's Blues
05. Every Day I Have the Blues
06. Goin' To Chicago
07. Well, All Right, Okay, You Win.
08. Basie, Cup and Me
09. April in Paris
10. One O'clock Jump
11. Shiny Stockings
12. Gon't Get Around Much Anymore
13. Sophisticated Lady
14. It Don't Mean a Thing
15. Fascinating Rhythm
16. Indian Summer
17. Just Friends
18. Send in the Clowns
19. Moody's Mood For Love
20. Roll 'Em Pete
21. One O'clock Jump

 

http://youtu.be/1LXS1OEFqX4

Редактирано от Parni_Valjak
  • 1 month later...
Отговорено (Редактирано)

Bread - The Best of Bread (1973)

 

Bread was a rock band from Los Angeles, California. They placed 13 songs on the Billboard Hot 100 chart between 1970 and 1977 and were a prime example of what later was labeled soft rock.
The band consisted of

David Gates (vocals, guitar, bass, keyboards, violin, viola, percussion),

Jimmy Griffin (vocals, guitar, keyboards, percussion),

Robb Royer (bass, guitar, flute, keyboards, percussion, recorder, backing vocals),

Mike Botts (drums; joined in the summer of 1969) and

Larry Knechtel (bass, guitar, keyboards, harmonica; replaced Royer in 1971). ( Wikipedia )
00:00 Make It with You
03:11 Everything I Own
06:20 Diary
09:28 Baby I'm A Want You
11:56 It Don't Matter To Me
14:45 If
17:20 Mother Freedom
19:55 Down On My Knees
22:39 Too Much Love
25:27 Let Your Love Go
27:50 Look What You've Done
31:02 Truckin'
33:34 The Guitar Man
37:20 Aubrey
40:59 The Last Time
45:09 Sweet Surrender
47:45 He's A Good Lad
50:42 Daughter
54:03 Friends And Lovers
57:57 Lost Without Your Love

http://youtu.be/8x9lfIqzZDc

Редактирано от Parni_Valjak
Отговорено (Редактирано)

Rare Earth 

 

get ready

 

Good Time Sally

 

 

I Just Want To Celebrate 1971

http://youtu.be/eLwkT5vAzCE

I just want to celebrate another day of livin'

I just want to celebrate another day of life

I put my faith in the people
But the people let me down
So I turned the other way
And I carry on, anyhow

That's why I'm telling you
I just want to celebrate, yeah, yeah
Another day of living, yeah
I just want to celebrate another day of life

Had my head on the dollar bill
But the dollar bill flew away
But the sun is shining down on me
And it's here to stay

That's why I'm telling you
I just want to celebrate, yeah, yeah
Another day of living, yeah
I just want to celebrate another day of livin'
I just want to celebrate another day of life

Don't let it all get you down, no, no
Don't let it turn you around and around and around and around and around

Well, I can't be bothered with sorrow
And I can't be bothered with hate, no, no
I'm using up the time but feeling fine, every day

That's why I'm telling you I just want to celebrate
Oh, yeah
I just want to celebrate another day
Oh, I just want to celebrate another day of livin'
I just want to celebrate another day of life

Don't let it all get you down, no, no
Don't let it turn you around and around, etc.
Round, round, round, etc.
Don't go round

I just want to celebrate
I just want to celebrate
Well, I just want to celebrate
Said I just want to celebrate (celebrate)
I just want to celebrate (I want to celebrate)
I just want to celebrate (I got to celebrate)
I just want to celebrate

Редактирано от Parni_Valjak
  • 3 weeks later...
Отговорено (Редактирано)

The Black Cat Bones - Barbed Wire Sandwich 1970[Full Album HD]

 

"Chauffeur" -- 00:00 (Andy Stroud)

"Death Valley Blues" -- 05:19(Arthur "Big Boy" Crudup)

"Feelin' Good" --09:16 (Anthony Newley, Leslie Bricusse)

"Please Tell Me Baby" --14:07 (Harrison D. Nelson Jr)

"Coming Back" -- 17:23 (Rod Price)

"Save My Love" -- 19:57(Black Cat Bones)

"Four Women" --24:51 (Nina Simone)

"Sylvester's Blues" -- 29:59 (Price)

"Good Lookin' Woman" --33:43

 

(Price) Rod Price / lead guitar & vocal (on "Good Lookin' Woman")

Phil Lenoir / drums

Stu Brooks / bass guitar

Brian Short / vocals

Derek Brooks / rhythm guitar

 

 

PAUL KOSSOFF with BLACK CAT BONES 1967

A very young Paul Kossoff (later to form the group FREE) playing lead guitar in rehearsal. Sometimes, as here, the singer arrived late and, ever keen to play, we'd do some instrumentals. The music is raw and earthy and unedited. My father recorded many of the rehearsals as he enjoyed the music. The band is pictured playing a New Year's Eve concert at London's famous Marquee Club as we bade farewell to 1967. Pictured is

Stuart Brooks on Bass guitar (the Brooks brothers formed the band),

Paul Kossoff on Lead guitar and

myself (Frank Perry 111) on drums - I left shortly after in February and went on to play avant garde improvised music.

The music featured is 'Rock Me Baby' (version 1). The two CD set on Sunbeam Records features more music of early Paul Kossoff with the band playing Chicago Blues and there are more instrumentals plus our regular set with vocals and harmonica taken from rehearsals. I make no apologies for the quality of the recording. It was never intended to be released commercially and, more importantly, it is all that there is of Paul Kossoff during this period of his career.

Редактирано от Parni_Valjak
Отговорено

Searchers - Needles and Pins (stereo)

 

Sonny Bono began his music career working at Specialty Records and later was a promotion man, percussionist and "gofer" for Phil Spector. One of his earliest songwriting efforts was "Needles and Pins" which he co-wrote with Jack Nitzsche, another member of Spector's production team. Starting in 1965 he achieved commercial success, along with his then-wife Cheryl Sarkisian, as part of the singing duo "Sonny and Cher".

http://youtu.be/sTA9f0GqpsQ

Отговорено

The Byrds - Turn, Turn, Turn

 

Often described in their early days as a hybrid of Dylan and the Beatles, the Byrds in turn influenced Dylan and the Beatles almost as much as Bob and the Fab Four had influenced the Byrds. The Byrds' innovations have echoed nearly as strongly through subsequent generations, in the work of Tom Petty, R.E.M., and innumerable alternative bands of the post-punk era that feature those jangling guitars and dense harmonies. 

Although the Byrds had perfected their blend of folk and rock when their debut single, "Mr. Tambourine Man," topped the charts in mid-1965, it was something of a miracle that the group had managed to coalesce in the first place. Not a single member of the original quintet had extensive experience on electric instruments. Jim McGuinn (he'd change his first name to Roger a few years later), David Crosby, and Gene Clark were all young veterans of both commercial folk-pop troupes and the acoustic coffeehouse scene. They were inspired by the success of the Beatles to mix folk and rock; McGuinn had already been playing Beatles songs acoustically in Los Angeles folk clubs when Clark approached him to form an act, according to subsequent recollections, in the Peter & Gordon style. David Crosby soon joined to make them a trio, and they made a primitive demo as the Jet Set that was nonetheless bursting with promise. With the help of session musicians, they released a single on Elektra as the Beefeaters that, while a flop, showed them getting quite close to the folk-rock sound that would electrify the pop scene in a few months. 

The Beefeaters, were soon renamed the Byrds.

 

Отговорено (Редактирано)

Badfinger - Without You - Pete Ham

Lipsync to their song "Without You" - Covered by Harry Nilsson, Mariah Carey, Il Divo, Shirley Bassey, Clay Aiken, Heart, and even Frank Sinatra did this onstage. Pete Ham and Tom Evans wrote it. Ham also wrote Baby Blue, Day After Day, Name Of The Game, and Lonely You. Great site on Badfinger 

http://www.badfingerlibrary.com

 

 

WITHOUT YOU (Pete Ham/Tom Evans)
[studio demo version from "No Dice" 2010 remastered CD]


Well, I can't forget this evening

And your face when you were leaving

But I guess that's just the way the story goes

You always smile, but in your eyes your sorrow shows

Yes, it shows


Well, I can't forget tomorrow

When I think of all my sorrow

I had you there, but then I let you go

And now it's only fair that I should let you know

What you should know


CHORUS:

I can't live, if living is without you

I can't live, I can't live anymore

I can't live, if living is without you

I can't live, I can't live anymore


Well, I can't forget this evening

And your face when you were leaving

But I guess that's just the way the story goes

You always smile, but in your eyes your sorrow shows

Yes, it shows


Well, I can't forget tomorrow

When I think of all my sorrow

I had you there, but then I let you go

And now it's only fair that I should let you know

What you should know


repeat CHORUS 


[guitar solo (Joey Molland)]


repeat CHORUS


I can't live, if living is without you

I can't live, I can't live anymore

I can't live, if living is without you

I can't live...

Редактирано от Parni_Valjak
Отговорено (Редактирано)

..хм ..не знаех , че и това е кавър ... а съм отраснал с него ..като малък много му се кефех на един моно касетофон ... http://www.youtube.com/watch?v=7beP1eIeVNI

Редактирано от zanev 70
Отговорено (Редактирано)

В действителност огромна част от популярните музикални произведения са базирани на стари оригинали. 

Това са идеи, преминаващи през времето и повтарящи се в един или друг вид, защото основата им е качествена. Те остават и се помнят, защото има защо.

Останалия "модерен" боклук изчезва почти веднага след появяването си. 

Съвременното поколение е онеправдано и затормозено от съвременните технологии и огромния обем информация, която в действителност има твърде малко качествени неща и огромно количество боклук. Така то се приучава да харесва (по-скоро да свиква) с боклука, за задоволство на "търговците, завзели храма". Хора, профилирани така, не могат да създават друго, освен пак боклук. И не само в музиката, а във всяка област на живота.

 

Е, все още се срещат хора с морални ценности и отношение към красивото, стойностното, качественото. Докато изчезнат и ентропията завладее вселената.

Редактирано от Parni_Valjak
  • 3 weeks later...
Отговорено (Редактирано)

The Easybeats - Friday On My Mind (French TV, 1967)

Stevie Wright (vocals ) 

George Young (guitar) 
Harry Vanda (guitar) 
Dick Diamonde (bass) 
Gordon 'Snowy' Fleet (drums) 

Monday morning feels so bad
Everybody seems to nag me
Comin' Tuesday I'll feel better
Even my old man looks good
Wednesday just won't go
Thursday goes too slow
I've got Friday on my mind

I'm gonna have fun in my city
I'll be with my girl, she's so pretty
She looks fine tonight
She is out of sight to me

Tonight, I'll spend my bread
Tonight, I'll lose my head
Tonight, I've got to get tonight
Monday, I have Friday on my mind

Do the five day drag once more
No one, nothing else that bugs me
More than workin' for the rich man
Hey, I'll change that scene one day

Today I might be mad
Tomorrow I'll be glad
'Cause I've got Friday on my mind

I'm gonna have fun in my city
I'll be with my girl, she's so pretty
She looks fine tonight
She is out of sight to me

Tonight, I'll paint my friend
Tonight, I'll lose my head
Tonight, I've got to get tonight
Monday, I have Friday on my mind

I'm gonna have fun in my city
I'll be with my girl, she's so pretty
I'm gonna have fun in my city
I'll be with my girl, she's so pretty
I'm gonna have fun in my city
I'll be with my girl

Редактирано от Parni_Valjak

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