Parni_Valjak
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Мнения публикувано от Parni_Valjak
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Устройството е Custom решение и не е предназначено за широка публика.
Търговският момент не е заложен в идеята му.
Съобразявам се само с желанията на конкретен потребител.
Има достатъчно търговски захранвания на пазара, които да се предпочетат. Всеки има право да избира това, което му импонира.
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Пореден вариант на захранване с галванично разделени източници на захранване за педалиера.
Въведени са подобрения касаещи функционалност, параметри и сигурност.
Минимизирана разсейвана мощност,
интелигентна защита с контрол на тока в режим на претоварване,
минимален ток при късо съединение в изхода (няколко милиампера),
автоматично връщане в работен режим.
Частична блокова схема
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From Ringo Starr's Rock and Roll Hall of Fame presentation on HBO.
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Peter Sarstedt - Where Do You Go To My Lovely (1969)
You talk like Marlene Dietrich
And you dance like Zizi Jeanmaire
Your clothes are all made by Balmain
And there's diamonds and pearls in your hair
You live in a fancy apartment
Of the Boulevard of St. Michel
Where you keep your Rolling Stones records
And a friend of Sacha Distel
But where do you go to my lovely
When you're alone in your bed
Tell me the thoughts that surround you
I want to look inside your head
I've seen all your qualifications
You got from the Sorbonne
And the painting you stole from Picasso
Your loveliness goes on and on, yes it does
When you go on your summer vacation
You go to Juan-les-Pines
With your carefully designed topless swimsuit
You get an even suntan, on your back and on your legs
When the snow falls you're found in St. Moritz
With the others of the jet-set
And you sip your Napoleon Brandy
But you never get your lips wet
But where do you go to my lovely
When you're alone in your bed
Tell me the thoughts that surround you
I want to look inside your head, yes I do
Your name is heard in high places
You know the Aga Khan
He sent you a racehorse for Christmas
And you keep it just for fun, for a laugh ha-ha
They say that when you get married
It'll be to a millionaire
But they don't realize where you came from
And I wonder if they really care, they give a damn
But where do you go to my lovely
When you're alone in your bed
Tell me the thoughts that surround you
I want to look inside your head
I remember the back streets of Naples
Two children begging in rags
Both touched with a burning ambition
To shake off their lowly brown tags, yes they try
So look into my face Marie-Claire
And remember just who you are
Then go and forget me forever
'Cause I know you still bear
the scar, deep inside, yes you do
I know where you go to my lovely
When you're alone in your bed
I know the thoughts that surround you
'Cause I can look inside your head. -
Mary Hopkin - Those Were The Days - 1968
Once upon a time there was a tavern
Where we used to raise a glass or two
Remember how we laughed away the hours
And dreamed of all the great things we would do
Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
For we were young and sure to have our way.
La la la la...
Then the busy years went rushing by us
We lost our starry notions on the way
If by chance I'd see you in the tavern
We'd smile at one another and we'd say
Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
Those were the days, oh yes those were the days
La la la la...
Just tonight I stood before the tavern
Nothing seemed the way it used to be
In the glass I saw a strange reflection
Was that lonely woman really me
Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
Those were the days, oh yes those were the days
La la la la...
Through the door there came familiar laughter
I saw your face and heard you call my name
Oh my friend we're older but no wiser
For in our hearts the dreams are still the same
Those were the days my friend
We thought they'd never end
We'd sing and dance forever and a day
We'd live the life we choose
We'd fight and never lose
Those were the days, oh yes those were the days
La la la la...-
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Запис на рева на лъва на MGM.
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Именно това ми е неправилният подход.
Опитвам се да дам нещо, което не се разбира. Знания, математика... Дрън дрън.
Иска се нещо наготово. На аванта. Там не ме бива. Там сте вие.
Ама се ослушвате и на подарявате нищо. Дори когато отговаряте.
Защото се оитвате да излъжете законите на природата и да минете метър с науката.
Затова няма отговори, още по-малко правилни, а само тролене. Политически коректно тролене.
Продължавайте така и скоро дори въпроси няма да се задават. И за какво да се задават, като полезни, верни и правилни отговори няма да има.
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IRON BUTTERFLY - IN A GADDA DA VIDA - 1968
IRON BUTTERFLY - IN A GADDA DA VIDA-ORIGINAL FULL VERSION -1968 VIDEO CONVERTED IN 3D (Red & Blue - 480P) The video track was recorded on May 27,1968, at Ultrasonic Studios in Hempstead, Long Island, New York.
In-A-Gadda-Da-Vida, honey,
don't you know that I love you?
In-A-Gadda-Da-Vida, baby,
don't you know that I'll always be true?
Oh, won't you come with me
and take my hand?
Oh, won't you come with me
and walk this land?
Please take my hand!Iron Butterfly - Metamorphosis (Full Album)
00:00 1. Soldier In Our Town
03:08 2. Easy Rider
06:09 3. Butterfly Bleu
20:01 4. Free Flight
20:40 5. New Day
23:50 6. Shady Lady
27:38 7. Best Years Of Our Life
31:23 8. Slower Than Guns
34:59 9. Stone Believer-Repeat-
~solos~
-Repeat-Iron Butterfly
Doug Ingle – organ, lead vocals (except on "Best Years of Our Life" and "Butterfly Bleu")
Lee Dorman – bass
Ron Bushy – drums Additional musicians
Mike Pinera – guitar; lead vocals on "Shady Lady", "Best Years of Our Life", "Stone Believer", and "Butterfly Bleu" Larry "Rhino" Reinhardt – guitar
Richard Podolor – sitar, twelve-string guitar
Bill Cooper – twelve-string guitar
Iron Butterfly - Full Concert - Live at Danish TV - 1971 Remastered
Jazz / Beat program - 1971-04-16
01. Soldier In Our Town
02. Stone Believer
03. Easy Rider
04. Butterfly Bleu
05. In-a-Gadda-Da-VidaIron Butterfly 2012 (THE FINAL PERFORMANCE) with Original founding members (In a Gadda da Vida)
UPDATE: Lee Dorman, bassist for Iron Butterfly, died on Friday December 21, 2012 at the age of 70, the Associated Press reports. According to a spokesman for the Orange County Sheriff's Department, Dorman was found dead in a vehicle on Friday morning and may have been on his way to a doctor's appointment.
Dorman was born in St. Louis, Missouri, in 1942. He joined the Southern California-based Iron Butterfly for its second and best-known album, In-a-Gadda-Da-Vida, which was released in 1968. The 17-minute title track helped the album sell more than 30 million copies, and a three-minute version of the song became a Top 40 hit.
2012 In Memoriam: Musicians We Lost
During Iron Butterfly's temporary break-up in the 1970s, Dorman and guitarist Larry Reinhardt formed the metal-jazz fusion band Captain Beyond, with Rod Evans from Deep Purple. The group released three albums and had a radio hit with the 1973 song "Sufficiently Breathless."
Iron Butterfly 2012 (In A Gada Da Vida) Preformance at The Mt. Tabor Theatre Portland Oregon with Founding Members Lee Doorman (Bass Guitar) and Ron Bushy (Drums)-
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Преди 1989 година имаше един призив, който явно се е преместил от партийните събрания във троленето по форумите.
ДРУГАРИ, ДАЙТЕ да ДАДЕТЕ !
Ами дайте го този отговор де, не го крийте!
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Поради огромното количество информация, което минава през мен, често губя връзка кое от къде е. Тази книга е от списъка предоставен от
Моля за извинение за недоразумението!
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Първи брой на списание Радио, Телевизия, Електроника от 1974 година.
Има една древна статия за усилвател 2х100 вата. Може да послужи за информация.
https://app.box.com/s/2zu26xyzw70hg2oe31m5pr7m9ujdzkhw
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Попадна ми една архивна книга от
Dr. Hugo Riemann, (1849–1919)
Harmony Simplified or The theory of the tonal functions of Chords
Може да се свали от моята тема Техническа Литература -
http://forum.muzikant.org/topic/160544-техническа-литература/?p=875264
Дано да е полезна.
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Herb Alpert and Lani Hall on CBS Sunday Morning
Herb Alpert - Rise (Long Version)
Herb Alpert Live at Montreux (1996)
1. Rise
2. Drivin' Home
3. Sneakin' In
4. Rendezvous
5. The Lonely Bull
6. Spanish Flea
7. My Funny Valentine
8. Side Steppin'
9. Across The Bridge
10. A Taste Of Honey
11. Sugar Cane
12. This Guy's In Love With YouHerb Alpert (USA) - Cowboys And Indians
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Това не е схема, а монтажен план. Очаква се да е правилен.
Разлика сигурно има в това, което е направено като копие на показаното.
Има два начина на излизане от ситуацията. Единият е внимателно сравнение , а другият е да се направи логически анализ. Второто по твоите думи няма шанс, защото за него трябва познаване на материята, което явно липсва.
Май остава само възможността "помощ от публиката".
Направи снимки с висока резолюция и достатъчно ярки, за да може да се вижда детайлно всичко. Под различен ъгъл, за да се виждат надписи, означения и цветове.От двете страни на платката.
А има ли платка или е нещо като платка? Каква технология е използвана за направата?
Публикувай изображенията тук и влез в диалог с желаещите да се занимаят с анализ на изработеното.
Ако има желаещи разбира се.
N.B.
Форумът не разполага с място за съхранение на изображения. Затова снимките трябва да се качат на подходящ сървър, където да се пазят, а тук да се посочат вектори към тях. (Адресите на изображенията). Може да ти е известна процедурата, но няма лошо да се разбере и от тези, които не са запознати.
P.S. Приготви си мултимер, с който да измерваш напрежения, токове и съпротивления. Ще се наложи да отговаряш на въпроси за измервания в различни точки .
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Прави ми впечатление, че авторът на темата вече 10 дена дори не се появява, камо ли да се обади по темата ...
Мисля си, че ми е грешен подхода. Добре, че не сервирах всичко на куп. Щеше да е съвсем не на място.
Затова спирам участието си.
Напоследък все повече се ориентирам към спирания...
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The Silver Bracelets - ( Sreburnite Grivni ) - Find The Light - 2012.
Find The Light - The Silver Bracelets - ( Sreburnite Grivni ) 2012
Music, lyrics & arr. by:
Alexander Petrounov Sasho Grivnata and Valentin Stefanov Valyo Grivnata.
Recorded in Helsinki, Finland and Franklin, Tennessee, USA - 2012.
Valentin Stefanov - Valyo Grivnata - guitars & voc.
Alexander Petrounov - Sasho Grivnata - bass & voc.belladonnarecords
БРАВО ! С ДВАЙСЕТИНА ТАКИВА ПАРЧЕТА ИДВАТЕ И С ЕДИН КОНЦЕРТ НАТРИВАТЕ НОСОВЕТЕ НА ПОВЕЧЕТО РОДНИ, А И НА ДОСТА ЗАПАДНЯШКИ БАНДИ !
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SMAK - Bluz u parku (HD) ARENA 2012 - TV snimak
Легенди на Арената - уникално!
Smak - Ulazak U Harem (Kombank Arena 29. 12. 2012)
Радомир Михайлович - ТОЧАК
Smak - Crna dama
Boris (v) Točak (g) Kepa (d) Zoran (
Mikica (g) Dejan (d) Deki (k)
Beograd 29.12.2012. Kombank ArenaMožda nisam ja ko Apolon lep
Crna dama zna, al voli moj džep
Viski i bunde i ruž i nobl svet
Haljine duge i lov, afera splet
Kako da prekinem to i pomerim zlo
Moćna i raskošna, crna damo
Dobio sam mat u igri sa njom
Izgubio sve. I novac i dom
Krvave usne i bol i revolver
Tužna i gluva je noć a prazan svet
Želim da pucam u nju i prekinem sve
Klečim dok duša mi vri, a nemam snage
Viski i bunde i ruž i nobl svet
Haljine duge i lov, afera splet
Kako da prekinem to i pomerim zlo
Moćna i raskošna, crna damoSmak - Live 2012. (1/2)
0:00 Intro
4:11 Kad spavaš sam
11:37 Šumadijski Blues
20:33 Ljudi nije fer
24:17 Gore - dole
28:19 Profesor
33:58 Biska 2
39:00 5. Maj
42:50 Miris nje
45:50 Idi
48:40 Možda imam vremena
53:11 Lisica
56:19 Cigansko srce
59:53 Južni voz
29. Dec. 2012, Belgrade
Kombank Arena
Vocals: Boris Aranđelović, Dejan Najdanović
Guitars: Radomir Mihailović Točak, Milan Milosavljević
Bass Guitars: Zoran Milanović, Miloš Petrović
Drums: Slobodan Stojanović Kepa, Dejan Stojanović
Keyboards: Dejan Zdravevski
Back Vocals: Ana, Tijana, Trnda
Foh Mix Midas, Heritage 3000: Vlada Negovanović
Stage Mix Midas, Heritage 3000: Vlada Nikolovski
Pa: Mayer System (cca 500,000 W)Music: Radomir Mihailovic Tocak
lyrics: Mirko Glisic (S. Blues, Ljudi nije fer, Profesor Cigansko srce) RM Tocak (Kad spavas sam, Idi Lisica, Miris nje) Dragoljub Drcelic (Mozda imam vremena) Marina Tucakovic (Gore-dole) Radovan Sarenac (Juzni voz)
Arr: Smak -
1939 AEG Magnetophon FT4 tape recorder playing Deutsches Tanz und Unterhaltungsorchester
Demo of my AEG FT4 Magnetophon, probably the earliest machine still in working condition, and also the rarest after the K1 and K2 models, which I'm looking for in addition to later ones. About one hundered FT4 machines were produced between 1939 and 1941. This machine was originally used by the Senate of Berlin and has the Senate emblem engraved on the right of the board. The Senate von Berlin emblem is still the same nowadays.
The FT4 was designed for dictation, where the secretary would listen to the tape and type the text. Its predecessors were the T1 and T2 (which used the K1 and K2 transports respectively) and then the FT2 and FT3 which added remote control instead of fixed push-buttons on the tape transport.
What distinguishes this machine from the K (Koffergerät) series is that everything is built into the same cabinet, the tape plays at 25cm/s instead of 100cm/S and 77cm/s, and that the machine is operated using a remote control to be placed next to the typewriter.
The uncommon speed of 25cm/s has a little history. Originally, Magnetophon machines ran at 1m/s before being modified to play at 77cm/s, which the Americans rounded to 30ips, hence 76cm/s after WW2. Tapes played at 1m/s did not last long and several were required to record a speech or a concert. For example, nazi speeches, which often took over an hour, required at least four 1000m tapes. Reducing the speed to 25cm/s still gave enough bandwidth for voice recording and allowed recording one hour and six minutes on a single 1000m tape.
The transport is almost same as the 1937 K3 model. The gauge seen on the left spool has several functions. The main one is to monitor the amount of tape left on the remote control. The gauge is fixed to a potentiometer which sends a variable voltage to the VU of the remote control. It also serves as automatic stop when the tape is totally rewound or empty. The former can be adjusted using the rotary disc just under the black cover, since the reels can have different diameters.
The head assembly is same as on the K1 and K2 models: one "hornkopf" erase head (DC bias), one recording head and one playback head.
The three pushbuttons on the tape transport control fast rewind, fast forward and stop. The switch located over them selects the operating mode: local (only the previous functions) or remote to Play, Record, Rewind, Stop and Shut Down.
The amplifier is almost same as the one used by the K1, K2 and K3. It has three tubes: AZ1 (rectifier), AF7 (preamplifier) and AL4 (output). The volume is set on the amplifier chassis.
Two recording sources can be used with early mixing capability: telephone and microphone.
The machine also uses the early type of bobbies with a round hole. Rectangular holes, which are still used today, were first used in 1942. Round hole tapes are attached to their platter with a special lock and only rotate by friction.
The recording that you hear is actually a 1942 tape recording played by the German Das Deutsches Tanz Und Unterhaltungsorchester, which name translates as "German Dance and Entertainments Orchestra". Although created by Goebbels, its musicians were not more nazi than Furtwangler and Karajan. They would tour through Germany, play in dancing halls, and made many tape recordings (especially in Prag) for broadcasting until May 1945 when the russians captured the musicians.
Most, if not all of the DTUO recordings are now available on six CDs published by Monopol.
The recording heard in this video was transferred from an authentic 1942 AEG tape running at 77cm/s to a CD, and then to a 25cm/s tape. Thanks to Gerhard Bauer who kindly provided the CD.-
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Lyrec Frida
Техническа литература
в Изработка и ремонт
Отговорено
What is a zener diode?
A tutorial on zener diodes and how to use them as voltage clamps, voltage regulators, and how to create audio distortion circuits.