Звукова апаратура за мераклии

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Хе хе, забравих основния елемент!

 

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Brauner: the Art of Microphones

Dirk Brauner: We don't have microphones for low budget. 

 

Редактирано Юни 28, 2014 от Parni_Valjak

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Cutting lacquers straight from 1/2" tape today. Oh, yeah!

 

За мераклиите -  

 

Nashville's Largest Retro, All Analog Recording Studio

WELCOME TO 1979

1110 48th Ave N, Nashville, Tennessee

Description

We are a retro, all analog recording studio built for the independent artist.

Our mantra is:

Fingers On Strings, Hands On Faders, Music On Tape.

 

Редактирано Юли 8, 2014 от Parni_Valjak

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За любителите на лентови микрофони. 

 

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The man and his TEC Awards.
5088, 5060, 5059, MBP, 5042, 5017, 5015, 517, and 511.

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Редактирано Юли 9, 2014 от Parni_Valjak

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1073N @AMSNeveLtd

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RetroInstrument OP-6 tube mic pre-amp - based on the legendary RCA OP-6 

 

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Мечти, мечти ...

 

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A matched pair of TELEFUNKEN ELA M 251's

 

 

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За наблюдателните - На едно място , три противоречащи си надписа:

TELEFUNKEN

MADE IN THE USA

RFT

А сега да видя, кое според форумните специалисти е вярното!?

 

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Telefunken U47

 

 

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TELEFUNKEN Elektroakustik C12 with own CK12 capsule

 

Редактирано Август 6, 2014 от Parni_Valjak

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WUNDER AUDIO WUNDERBAR CONSOLE - 12 CHANNEL

Includes 12x PEQ2 mic pre/EQs, 20x Monitors, Powerbar PSU and Exquisite Trim

Price: $45,000.00

The Wunder Audio Wunderbar is an analog console forged from inspiration, innovation and the bold desire to build the most impressive recording desk in the world. The result is a console so accomplished, it features the worlds first desk to come standard with three vintage stereo bus flavors, and employs a fully symmetrically balanced discrete summing bus system. This unprecedented blend of performance, technology and perfectly crafted build quality is simply the next standard in the pursuit of the perfect recording. 

Infuse sophistication with extreme audio performance. Hand built by Wunder Audio's master technicians. The three stereo bus flavors are rich with thick discrete audio and transformer thickness, yielding three totally awesome sound-stages that can be combined or heard separately. 

 

VK Tech Michael Westbrook prepares a Wunder AudioWunderbar Console for the cross-Atlantic trip to the studio home of  Pete Townsend.

 

 

"All of the vintage API's, 1073's, Helios, and Calrec mic pre's I have collected have been made obsolete. The Wunder wins every shoot out for tracking and mixing. This console is akin to cheating, it sounds so extraordinary."
Stephan Jenkins, producer: Third Eye Blind; Vanessa Carlton; Run DMC

"Wow, I was pretty blown away. I couldn't tell if it was just quality of the tracks or the openness of the console but everything sounded great. It was effortless to mix. Sound and simplicity was stellar. Bravo."
Joe Chiccarelli

"I love it! It sounds like a three band Pultec. I love it that you can go up above 12k and it's such a smooth high end. Very transparent. Natural, never fake. It's got depth!"
Manny Marroquin

Редактирано Август 28, 2014 от Parni_Valjak

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API 312 MIC PRE CARD (VINTAGE)

 

Price: $425.00

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What does your bass dream about?

 

 

Dual Channel Use

Used as a two channel device, a lead singer and guitar player, can take the classic studio quality of the 5017 wherever they go; using the DPC for a Vocal mic pre and compressor, as well as a separate DI preamplifier. To achieve this, the blend control should be selected as fully DI (blend off), and an internal jumper can be selected to apply the compressor to the mic pre signal. When engaged, Silk mode would effect both vocal and guitar tracks, and the HPF control would effect only the mic path.

Blended Use

Used as a single channel device for instruments, the 5017 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.

The Compressor

Based around a new LDR (light dependent resister) design, the 5017′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with an internal jumper to change between standard and fast time constants. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.

Vari-Phase

In addition to the standard polarity reverse, the 5017 also incorporates a vari-phase control to adjust the phase incrementally. This control is useful any time two signals derived from the same source are combined.

For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.

This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 5017, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal

Редактирано Август 29, 2014 от Parni_Valjak

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Bogner Wessex, Burnley and Harlow Pedals Overview

 

Masterminds Reinhold Bogner and Mr. Rupert Neve have teamed up to produce superb audio-effects pedals that serve up rich, buttery tones, ultra-dynamic response and a stunning three-dimensional sound quality inspired by the classic mixing consoles of the 1960's.

This new line of pedals feature transformers designed by Rupert Neve Designs. Each transformer is unique and specifically designed to perfectly pair with the 100% analog audio circuit of each model.

The Studio Series gives you the same sonic bliss featured with a Bubinga exotic hardwood top panel, reminiscent of the vintage mixing consoles from the 60's. Each panel is formed, sanded, layered and finished by hand.

These Bogner pedals feature an audio transformer designed by Mr. Rupert Neve of Rupert Neve Designs.

The word/name Neve® is a registered trademark of AMS Neve Ltd. and is in no way affiliated with this product.

 

Редактирано Септември 1, 2014 от Parni_Valjak

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The Trident 88 is a brand new console from Trident Audio Developments that carries on the world famous heritage of the Trident series consoles while adding features to fit our modern workflows. The Trident 88 is a classic in the making!

 

Input Section Feature Highlights:

Separate Mic and Line Gain Control: Independently set your Mic and Line levels on each channel.
I/P Reverse Switch: Flips channel input to the monitor section.
Meter Select Switch: Allows you to choose metering from the Direct Out or Monitor Return.
Mic Pre:
A fully discrete Class A design mic pre with the option to add a Lundhal transformer to as many channels as you like. In addition the preamp has a full bypass post fader insert point that allows you to easily incorporate any external preamp from your collection or 500 Series rack.
EQ:
A 4 band fully sweepable Trident EQ is at the core of this console. Every channel not only has a full EQ but also a Tilt EQ on the Monitor section. In addition there is the ability to switch the full EQ from the Input path to the Monitor path. Furthermore the EQ has its own independent Insert. Like the preamp you can also insert to the EQ path and either bypass the EQ for any other outboard EQ or use them in conjunction with each other.

 

Master and Aux Section Highlights:

Master Section:

The master section features 8 AUX Masters each with Solo. AFL/PFL Master with level adjustment. In addition to you main speaker outs there are also 2 separate ALT Monitors, each with level control and on/off switches. Easy studio playback through Mono Auxes 1&2, as well as stereo over Aux 7/8. The Monitor section allows the return of 2 separate stereo signals direct into the master section with level and mute. Or plug your portable device directly into the panel with a top mounted 1/8th inch TRS input. Through Talkback control you can talkback to the Auxes in pairs, or the groups, or to the studio. Either through the onboard talkback mic or an external mic.
Monitor Section:
The Trident 88 is a split in-line console. This means you have inputs per channel to allow you to easily switch your workflow from tracking to mixing. On top of that all the of the Monitor inputs have their own TILT EQ. This means you have 2 inputs per channel, each with EQ. 
The Trident 88 features 8 Aux sends all with pre or post fade selection, accessible on every channel. AUX 1/2 and 7/8 can be sent to the Monitor section. AUX 5/6 & 7/8 are both stereo with pan control for each. 
Aux Section:
The Trident 88 features 8 Aux sends all with pre or post fade selection, accessible on every channel. AUX 1/2 and 7/8 can be sent to the Monitor section. AUX 5/6 & 7/8 are both stereo with pan control for each.

 

Taz Bhogal demonstrates the Input Module on the Trident 88.

 

Taz Bhogal demonstrates the Group Monitor Subgroup Module on the Trident 88. 

 

Taz Bhogal demonstrates the Master Module on the Trident 88.

 

Taz Bhogal demonstrates the routing options on the Trident 88's rear control panel. 

 

About the Designer/Engineer:
Taz has been designing consoles for the Audio industry for 26 years. After finishing his degree in Electrical and Electronic Engineering at the University of Surrey, England, UK. He entered the audio industry immediately by joining Trident Audio Developments. Working initially as a Test Engineer, he progressed to a position as head of Test Department working on the Trident Series 65 and 80 consoles. Taz moved rapidly to Engineering where as a Chief Engineer he designed and developed Custom Series 65 and Series 80 consoles and other renowned studio recording consoles including the digitally controlled analog console DI-AN, Vector 432 and Series 90 consoles. He was involved in major installations of Trident consoles in the USA and UK. Because of his exposure to the US market, Taz decided to move to New York and worked as a consultant working in recording studios with Trident installations. In 1993, Taz joined Crest Audio and teamed up with John Petrucelli and Chuck Augustowski to form the console division. In his position as Design Engineer he and John combined to design the successful line of consoles including the Century series, X-Series, the rack mount XR Series, V12 and eventually after the takeover of Crest by Peavey electronics the HP8 series and various rack mount units. After leaving Crest/Peavey he joined up again with John Petrucelli and Chuck Augustowski in their new venture in the formation of APB-DynaSonics where he was co-owner and Senior Design Engineer. There he worked in the sound reinforcement market working on the well known range of products; Spectra, ProRack, ProDesk and various rack units to name a few.

Taz is now working with PMI Audio Group based in the UK. His first release to the market is the Trident 88, a new take on a vintage console range, employing new technology and production practices with renowned designs, with more to come.

 

Charlie Waymire - Drums

Ernesto Homeyer - Guitar
Pete Griffin - Bass

Редактирано Септември 11, 2014 от Parni_Valjak